{"id":11975,"date":"2021-02-17T20:08:16","date_gmt":"2021-02-17T19:08:16","guid":{"rendered":"https:\/\/www.boisbuchet.org\/programme-de-residences\/anciens-residents\/residents-gaelle-denis\/"},"modified":"2021-02-17T20:08:18","modified_gmt":"2021-02-17T19:08:18","slug":"residents-gaelle-denis","status":"publish","type":"page","link":"https:\/\/www.boisbuchet.org\/fr\/programme-de-residences\/anciens-residents\/residents-gaelle-denis\/","title":{"rendered":"Residents – Ga\u00eblle Denis"},"content":{"rendered":"

BOISBUCHET PROGRAMME DE RETRAITES CR\u00c9ATIVES<\/strong><\/h3><\/div>
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GA\u00cbLLE DENIS<\/h1><\/span>
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SAISON 2020<\/h6><\/div>
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Travaillant sur ses propres films, ainsi que sur des pi\u00e8ces d’op\u00e9ra et de danse, des animations hybrides, et des projets CGI et multim\u00e9dia, la cin\u00e9aste franco-britannique Ga\u00eblle Denis a remport\u00e9 de nombreux prix pour ses courts m\u00e9trages Fish Never Sleep<\/em> (Festival de Cannes 2002, BAFTA 2003), City Paradise<\/em> (nomin\u00e9 aux BAFTA 2005), Rhapsody in Blueberry<\/em> (comp\u00e9tition nationale Clermont-Ferrand 2017), pour n’en citer que quelques-uns. Apr\u00e8s avoir \u00e9tudi\u00e9 l’animation aux Arts D\u00e9coratifs \u00e0 Paris, elle a ensuite rejoint le d\u00e9partement d’animation du Royal College of Art \u00e0 Londres au Royaume-Uni, ville o\u00f9 elle est bas\u00e9e depuis plus de vingt ans. Pour ses deux longs m\u00e9trages, La Fille d’Estuaire<\/em> et Shadowland<\/em>, Ga\u00eblle a \u00e9t\u00e9 salu\u00e9e par le Torino Film Lab, le Jerusalem Film Lab et le programme Next Step de la Semaine de la Critique comme l’une des cin\u00e9astes les plus prometteuses de sa g\u00e9n\u00e9ration. Parmi ses autres films, on peut citer The Nightingale and the Rose<\/em> (2011) et After the Rain<\/em> (2007), ainsi que des pi\u00e8ces d’op\u00e9ra et de th\u00e9\u00e2tre, telles que deux heures de projections vid\u00e9o pour la com\u00e9die musicale SHOES<\/em> de Richard Thomas (2010).<\/span><\/p>\n<\/div>

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“Ce que j’aime \u00e0 Boisbuchet, c’est la pens\u00e9e interdisciplinaire, et aussi le rapport \u00e0 la nature.”<\/p>\n<\/div><\/div><\/blockquote>

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“Parce que je travaille beaucoup sur ordinateur, en animation, je travaille sur les effets visuels, en faisant des animations parfois assez complexes, j’ai voulu revenir aux bases de l’image, de la composition, du point de vue”.<\/p>\n<\/div><\/div><\/blockquote>

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Apr\u00e8s avoir \u00e9crit deux longs m\u00e9trages, Ga\u00eblle est venue \u00e0 Boisbuchet pour d\u00e9velopper un nouveau style narratif et visuel pour son prochain projet. Fascin\u00e9e par la fronti\u00e8re entre le fantastique et la r\u00e9alit\u00e9, et par la narration du passage du r\u00e9el \u00e0 l’irr\u00e9el, l’objectif de Ga\u00eblle durant sa r\u00e9sidence \u00e9tait de construire une Camera Obscura pour explorer de nouvelles fa\u00e7ons de percevoir la r\u00e9alit\u00e9. Elle \u00e9tait particuli\u00e8rement d\u00e9sireuse d’exploiter le paysage naturel de Boisbuchet et de ses environs pour cr\u00e9er une atmosph\u00e8re myst\u00e9rieuse, \u00e0 mi-chemin entre le r\u00eave et la r\u00e9alit\u00e9.<\/span><\/p>\n

Apr\u00e8s avoir utilis\u00e9 l’atelier pour construire la Camera Obscura, et convertit les pi\u00e8ces de la d\u00e9pendance et du ch\u00e2teau en cam\u00e9ras \u00e0 st\u00e9nop\u00e9, Ga\u00eblle a produit une s\u00e9rie d’images \u00e9th\u00e9r\u00e9es de Boisbuchet, en y jetant un nouvel \u00e9clairage (au sens propre). Ga\u00eblle a \u00e9galement exp\u00e9riment\u00e9 d’autres techniques, telles que l’exposition et le traitement solaires. Les images qu’elle a produites, du parc architectural de Boisbuchet, de son personnel et des autres r\u00e9sidents cr\u00e9atifs sur place, sont uniques dans leur qualit\u00e9 onirique. Elles t\u00e9moignent du potentiel cr\u00e9atif d’une telle innovation photographique, ainsi que de l’imagerie cin\u00e9matographique de Boisbuchet.<\/span><\/p>\n<\/div>

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