{"id":12002,"date":"2021-02-17T21:45:24","date_gmt":"2021-02-17T20:45:24","guid":{"rendered":"https:\/\/www.boisbuchet.org\/programme-de-residences\/anciens-residents\/residents-aurelia-noudelmann\/"},"modified":"2021-02-17T21:45:25","modified_gmt":"2021-02-17T20:45:25","slug":"residents-aurelia-noudelmann","status":"publish","type":"page","link":"https:\/\/www.boisbuchet.org\/fr\/programme-de-residences\/anciens-residents\/residents-aurelia-noudelmann\/","title":{"rendered":"Residents – Aur\u00e9lia Noudelmann"},"content":{"rendered":"

BOISBUCHET R\u00c9SIDENCIES<\/h3><\/div>
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AUR\u00c9LIA NOUDELMANN<\/h1><\/span>
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La maison sauvage – Rester avec la nature<\/span><\/h6><\/div>
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Durant la r\u00e9sidence, Aur\u00e9lia Noudelmann a propos\u00e9 une installation sonore en dialogue avec la biodiversit\u00e9 du domaine. L\u2019urgence de recomposer nos dispositifs d\u2019\u00e9coute et d\u2019\u00e9change avec notre environnement a guid\u00e9 ses recherches vers une installation interactive dont les principaux acteurs sont des corps v\u00e9g\u00e9taux. \u00c0 travers un programme r\u00e9alis\u00e9 sur Arduino, les vibrations de leurs racines furent traduites en notes MIDI, g\u00e9n\u00e9rant une composition sonore variable dans l\u2019espace. L\u2019installation proposait ainsi un paysage sonore reposant sur diff\u00e9rentes dialectiques, oppos\u00e9es et entrem\u00eal\u00e9es : int\u00e9rieur-ext\u00e9rieur, nature-technologie, traduction-communication, entente-\u00e9coute… L\u2019installation s\u2019employait \u00e0 questionner les fronti\u00e8res du sp\u00e9cisme et de l\u2019anthropocentrisme.<\/p>\n

Le dispositif invitait les individus \u00e0 penser nos existences en de\u00e7\u00e0 du regard, pour placer la biodiversit\u00e9 au coeur de notre relation \u00e0 l\u2019environnement. Cette exp\u00e9rimentation s\u2019est attach\u00e9e \u00e0 solliciter des affinit\u00e9s peu reconnues dans notre quotidien : offrir une \u00e9coute plurielle des diff\u00e9rents \u00e9changes g\u00e9n\u00e9r\u00e9s par des corps v\u00e9g\u00e9taux. Nos modes de communication \u00e9tant centr\u00e9s sur le langage, nous oublions ceux que les acteurs d\u2019un espace v\u00e9g\u00e9tal emploient, \u00e0 travers des vibrations, afin de survivre dans un environnement. Ce monde souterrain d\u00e9tient une richesse complexe, compos\u00e9e d\u2019une infinit\u00e9 de r\u00e9seaux. \u00c0 travers ses recherches, Aur\u00e9lia d\u00e9sirait ouvrir un champ de possibles : non pas une voix uniforme, mais une multitude d\u2019interpr\u00e9tations sonores variables.<\/p>\n<\/div>

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“Nos modes de communication \u00e9tant centr\u00e9s sur le langage, nous oublions ceux que les acteurs d’un espace v\u00e9g\u00e9tal utilisent, \u00e0 travers les vibrations, pour survivre dans un environnement”.<\/p>\n<\/div><\/div><\/blockquote>

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Pendant la r\u00e9sidence au Domaine de Boisbuchet, elle a effectu\u00e9 une analyse des diff\u00e9rentes vibrations exerc\u00e9es par les racines des plantes et des arbres du domaine : elle a mesur\u00e9 leur intensit\u00e9 afin de r\u00e9guler les taux de variations qui ont ensuite \u00e9t\u00e9 transform\u00e9s en sons, modul\u00e9s par le programme Arduino. L’installation a dur\u00e9 pr\u00e8s de neuf heures, pendant lesquelles les individus pouvaient s’allonger sur un lit de bambou et des coussins de foin. Le d\u00e9veloppement et le choix des instruments de la composition ont \u00e9t\u00e9 pens\u00e9s en \u00e9troite relation avec l’espace et la dur\u00e9e de l’installation : en correspondance avec la multitude de rythmes g\u00e9n\u00e9r\u00e9s par les signaux provenant des racines. Cette approche s’est poursuivie de la m\u00eame mani\u00e8re pour le choix des mat\u00e9riaux utilis\u00e9s : le bambou est un mat\u00e9riau \u00e9minemment acoustique – ce qui a donn\u00e9 lieu \u00e0 une collaboration de conception du sifflet avec un autre r\u00e9sident, Margaus Ballagny – et le foin, qui est capable de se d\u00e9sint\u00e9grer dans la nature, tout en restant durable.<\/span><\/p>\n

Apr\u00e8s une ma\u00eetrise d’esth\u00e9tique des rythmes \u00e0 Paris, Aur\u00e9lia Noudelmann a \u00e9tudi\u00e9 au d\u00e9partement de design exp\u00e9rimental (DesignLab) de l’Acad\u00e9mie Gerrit Rietveld.<\/span><\/p>\n<\/div>

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