{"id":20717,"date":"2024-08-02T13:08:33","date_gmt":"2024-08-02T11:08:33","guid":{"rendered":"https:\/\/www.boisbuchet.org\/?page_id=20717"},"modified":"2024-08-02T13:08:33","modified_gmt":"2024-08-02T11:08:33","slug":"les-couleurs-de-larchitecture-des-grottes-de-lascaux-aux-graffiti-urbains","status":"publish","type":"page","link":"https:\/\/www.boisbuchet.org\/fr\/expositions\/les-couleurs-de-larchitecture-des-grottes-de-lascaux-aux-graffiti-urbains\/","title":{"rendered":"Les couleurs de l’architecture \u2013 des grottes de Lascaux aux graffiti urbains"},"content":{"rendered":"

EXPOSITION D’\u00c9T\u00c9<\/h3><\/div>
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LES COULEURS DE L’ARCHITECTURE<\/h1><\/span>
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DOMAINE DE BOISBUCHET<\/h6><\/div><\/div><\/div><\/div><\/div>

Cette exposition explore l’utilisation de la couleur dans l’architecture, depuis les grottes de Lascaux jusqu’aux graffitis urbains contemporains.<\/em><\/p>\n<\/div>

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Le monde est plein de couleurs et chaque couleur a son propre caract\u00e8re. D’ailleurs, quel r\u00f4le joue un gris de b\u00e9ton lorsque nous construisons notre propre monde ?<\/p>\n

Les couleurs ont toujours eu une grande importance pour l’architecture. En particulier \u00e0 une \u00e9poque de bouleversements, de changements de concepts et de go\u00fbts, il est \u00e9vident que nous les percevons comme des signaux, charg\u00e9s d’\u00e9motion et d’individualit\u00e9. C’est pourquoi l’identit\u00e9 de notre architecture se manifeste in\u00e9vitablement dans ses couleurs, qu’il s’agisse de celles des sols et des pierres utilis\u00e9s pour la construction.<\/p>\n<\/div>

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Le Domaine de Boisbuchet est un laboratoire de design, situ\u00e9 \u00e0 la fronti\u00e8re de deux formations g\u00e9ologiques aux min\u00e9raux diff\u00e9rents. Si l’on observe la Nouvelle-Aquitaine, les couleurs de la terre sont encore plus vari\u00e9es. La r\u00e9gion est le t\u00e9moin privil\u00e9gi\u00e9 de l’ensemble des couches historiques sur lesquelles nous avons cr\u00e9\u00e9 notre cadre de vie, de la grotte de Lascaux aux bandes dessin\u00e9es des fa\u00e7ades d’Angoul\u00eame.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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En 2024, la France c\u00e9l\u00e8bre la “naissance” de l’impressionnisme, il y a 150 ans, un style artistique qui exprime mieux que tout autre l’art de vivre \u00e0 la fran\u00e7aise : l\u00e9ger, raffin\u00e9 tout en restant li\u00e9 au terroir. Mais avant tout, les impressionnistes nous ont ouvert les yeux sur la nature et sur la vision elle-m\u00eame, nous montrant qu’il faut mettre de c\u00f4t\u00e9 nos lunettes grises pour voir comment le monde est color\u00e9.<\/p>\n<\/div>

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22 juin au 22 septembre 2024<\/strong><\/p>\n

Commissariat : Mathias Schwartz-Clauss avec Guillermo Gil Fern\u00e1ndez
\nAssistance dans la r\u00e9alisation : Alexander von Vegesack, Pablo Sevilla Alonso, Bernardo Sandoval, Camille Fouri\u00e9, Franca Spielmann, Eric Orvain, Jane Corbett, Serge Mauduit
\nMontage : Paul Eaton, Julie Eaton, Hugo Gu\u00e9nand Dalby
\nSc\u00e9nographie : Mathias Schwartz-Clauss
\nTextes : Mathias Schwartz-Clauss, Guillermo Gil Fern\u00e1ndez<\/p>\n

Le Domaine de Boisbuchet et CIRECA tiennent \u00e0 remercier tous ceux qui ont contribu\u00e9 \u00e0 la r\u00e9alisation de cette exposition, \u00e0 savoir :<\/p>\n

8\u201918\u2019\u2019, Paris
\nAlexander von Vegesack, Domaine de Boisbuchet, Lessac
\nAnne-Claire Duprat, Fondation Martell, Cognac
\nArc en R\u00eave, Bordeaux
\nArnaud Duprat, Paris
\nAteliers Vitrail Saint-Joseph, Ruffec
\nCAUE 16, Angoul\u00eame
\nC\u00e9cile Vignau, Limoges
\nC\u00e9line D\u00e9v\u00e9za, Communaut\u00e9 de Communes Charente Limousine, Confolens
\nCharlotte de Charette, Ville de Royan, Royan
\nChristophe Bourel le Guilloux, DRAC Nouvelle-Aquitaine, Bordeaux
\nDeidi von Schaewen, Paris
\nDRAC Poitou-Charentes, Poitiers
\nFran\u00e7oise Seince and ENSAD, Limoges
\nHadrien Venat, Saint-Christophe
\nHippolyte Herpin, Corme-Royal
\nHugues Jacquet, Paris
\nKevin Todd, Tasmania, Australie \/ Australia
\nLette Verein, Berlin
\n8\u201918\u2019, Paris
\nMarie-Pierre Servantie, Bordeaux
\nNathana\u00ebl Abeille, Marseille
\nPhilippe d’H\u00e9mery, Bioussac
\nSamael Covarruvias, Guadalajara, Mexique \/ Mexico<\/p>\n

… ainsi que tous les tuteurs des ateliers d’\u00e9t\u00e9, les participants, les artistes en r\u00e9sidence et le personnel du Domaine de Boisbuchet !<\/p>\n

Une exposition du CIRECA \/ Domaine de Boisbuchet<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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