{"id":21758,"date":"2025-02-20T21:28:02","date_gmt":"2025-02-20T20:28:02","guid":{"rendered":"https:\/\/www.boisbuchet.org\/?page_id=21758"},"modified":"2026-01-21T08:12:23","modified_gmt":"2026-01-21T07:12:23","slug":"saison-2025-spheres-privees-publiques","status":"publish","type":"page","link":"https:\/\/www.boisbuchet.org\/fr\/ateliers\/saison-2025-spheres-privees-publiques\/","title":{"rendered":"Saison 2025 – Sph\u00e8res Priv\u00e9es \/ Publiques"},"content":{"rendered":"

ATELIERS D’\u00c9T\u00c9 2025<\/h3><\/div>
<\/div><\/div><\/span>

SPH\u00c8RES PRIV\u00c9ES \/ PUBLIQUES<\/h1><\/span>
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6 JUILLET – 6 SEPTEMBRE<\/h6><\/div>
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Dans notre monde hyper-connect\u00e9, notre compr\u00e9hension des sph\u00e8res publiques et priv\u00e9es subit une transformation profonde. Les fronti\u00e8res entre le personnel et le partag\u00e9 s’estompent, remettant en question nos concepts d\u2019intimit\u00e9, de temps, de communaut\u00e9 et d\u2019identit\u00e9.<\/p>\n

Ce changement ne rel\u00e8ve pas seulement d\u2019un ph\u00e9nom\u00e8ne social, mais d\u2019une mutation syst\u00e9mique qui red\u00e9finit nos modes d\u2019interaction, de communication et de conception des environnements dans lesquels nous \u00e9voluons. Dans ce contexte, le design se r\u00e9v\u00e8le \u00eatre un outil puissant, offrant les moyens d\u2019examiner, de m\u00e9diatiser et de r\u00e9inventer le monde qui nous entoure.<\/p>\n

Cette ann\u00e9e, nos ateliers utiliseront le design comme une lentille pour interroger ces sph\u00e8res en mutation. En explorant les tensions et intersections entre domaines public et priv\u00e9, nous chercherons \u00e0 d\u00e9velopper des r\u00e9ponses sp\u00e9cifiques aux contextes et aux sites, qui capturent toute la complexit\u00e9 de ces dynamiques.<\/p>\n

\u00ab Pour changer quelque chose, construisez un nouveau mod\u00e8le qui rend l’ancien obsol\u00e8te \u00bb, disait Buckminster Fuller, l\u2019une des grandes figures cr\u00e9atives du XXe si\u00e8cle. Rejoignez-nous cet \u00e9t\u00e9 pour repenser et remodeler nos environnements\u2014il est temps de se reconnecter.<\/p>\n

\u00bb Ce qui est inclus dans le prix<\/a>
\n\u00bb Informations pratiques<\/a><\/p>\n<\/div><\/div><\/div>

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Matteo Guarnaccia (IT)<\/strong><\/h4>\n

Seat-ing Exercises<\/h4>\n

6 juillet –\u00a012 juillet<\/h5>\n
Exp\u00e9rimentation, Mat\u00e9riaux, Meubles<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Space Caviar (IT)<\/strong><\/h4>\n

Power-Nap<\/h4>\n

6 juillet –\u00a012 juillet<\/h5>\n
Curating, Exposition, Repr\u00e9sentation<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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In\u00e8s Bressand (FR)<\/strong><\/h4>\n

Weaving Together: Large Scale Basketry<\/h4>\n

6 juillet –\u00a012 juillet<\/h5>\n
Paniers, Produits, Tissage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Lucas Mu\u00f1oz Mu\u00f1oz (ES)<\/strong><\/h4>\n

Post-Technological Disobedience<\/h4>\n

13 juillet –\u00a019 juillet<\/h5>\n
Autonomie, Low-tech, \u00c9cosyst\u00e8mes<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Fernando Laposse (MX)<\/strong><\/h4>\n

Fiber Explorations<\/h4>\n

13 juillet –\u00a019 juillet<\/h5>\n
Artisanat, Fibres, Tissage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Wataru Kumano (JP)<\/strong><\/h4>\n

The Beauty of Precision: An introduction to Japanese Carpentry<\/h4>\n

20 juillet –\u00a030 juillet<\/h5>\n
Artisanat, Japon, Menuiserie<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Miriam Josi et Stella Lee Prowse (Al\u00e9a) (FR)<\/strong><\/h4>\n

Life in-between: Mycelium and Textiles<\/h4>\n

20 juillet –\u00a030 juillet<\/h5>\n
Biodesign, Myc\u00e9lium, Textile<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Lex Pott (NL)<\/strong><\/h4>\n

From Earth to Object<\/h4>\n

20 juillet –\u00a030 juillet<\/h5>\n
Artisanat, C\u00e9ramique, Local<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Frida Kim (KR) + Wagner Kreusch (BR)<\/strong><\/h4>\n

Ephemeral Spaces: Crafting Nature’s Transience<\/h4>\n

3 ao\u00fbt –\u00a09 ao\u00fbt<\/h5>\n
Fleurs, Installation, Paysage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Jorge Penad\u00e9s (ES)<\/strong><\/h4>\n

Wasteland<\/h4>\n

3 ao\u00fbt –\u00a09 ao\u00fbt<\/h5>\n
Bois, Butinage, D\u00e9chets<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Wendy Andreu (FR)<\/strong><\/h4>\n

Hot Bodies<\/h4>\n

3 ao\u00fbt –\u00a09 ao\u00fbt<\/h5>\n
Moulage, M\u00e9tallurgie, Produits<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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the thing Magazine (DE)<\/strong><\/h4>\n

The Story of Objects<\/h4>\n

10 ao\u00fbt –\u00a016 ao\u00fbt<\/h5>\n
Graphique, Impression, \u00c9criture<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Martin Planchaud (FR)<\/strong><\/h4>\n

Big Pots and a Gong: Communal Meals<\/h4>\n

10 ao\u00fbt –\u00a016 ao\u00fbt<\/h5>\n
Aliments, Arrangement, Exp\u00e9rience<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Bertjan Pot (NL)<\/strong><\/h4>\n

Eclectic Techno-Hippie Craft: A Chandelier<\/h4>\n

10 ao\u00fbt –\u00a016 ao\u00fbt<\/h5>\n
Installation, Techniques, \u00c9clairage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Mariam Issoufou (NE)<\/strong><\/h4>\n

At the End of the World<\/h4>\n

17 ao\u00fbt –\u00a023 ao\u00fbt<\/h5>\n
Architecture, Environnement, Processus Design<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Jonas Lutz (FI) + Satoshi Yoshida (JP)<\/strong><\/h4>\n

Man Made – Machine Made<\/h4>\n

17 ao\u00fbt –\u00a023 ao\u00fbt<\/h5>\n
Assemblage, Bois, Techniques<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Sofia Alazraki (AR)<\/strong><\/h4>\n

Infinite Games: Animating Objects<\/h4>\n

31 ao\u00fbt –\u00a06 septembre<\/h5>\n
Direction Artistique, Media, Mise en Sc\u00e8ne<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Floris Wubben (NL)<\/strong><\/h4>\n

Low Tech Tools<\/h4>\n

31 ao\u00fbt –\u00a06 septembre<\/h5>\n
C\u00e9ramique, Exp\u00e9rimentation, Produits<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Sebastian Bergne (GB)<\/strong><\/h4>\n

Multiple Making: Designing Through Repetition<\/h4>\n

31 ao\u00fbt –\u00a06 septembre<\/h5>\n
Mat\u00e9riaux, Meubles, Produits<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\t
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For over 30 years, the non-profit organisation CIRECA (Centre International de Recherche et d\u2019Education Culturelle et Agricole), organises Boisbuchet\u2019s interdisciplinary program of hands-on workshops: Participants from all over the world living and working together with noted designers, architects and artists \u2013 not to come up with perfect results but to gain insights into creative processes and the challenges involved.<\/p>\n<\/div>

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FAQ<\/h2><\/div>

<\/i><\/i><\/span>Do I need to be a designer or architect to attend a workshop?<\/span><\/a><\/h4><\/div>
\n

No, in Boisbuchet we believe in collaboration, which is why everyone is invited to participate in the workshops. Because diversity is an essential part of our philosophy, we don\u2019t select participants: No diplomas or qualifications required, except for speaking English.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>How can I get to Boisbuchet?<\/span><\/a><\/h4><\/div>
\n

We organize a shuttle bus every Sunday at 5pm, from the Poitiers train station to Boisbuchet. Our staff will be at the train station to escort you to the bus. The shuttle leaves back on Saturday morning around 10am and drops you off at the Poitiers train station no later than 1pm. If you are driving your own car, the address is: Domaine de Boisbuchet, 16500 Lessac. Signs will guide you to the Domaine as soon as you arrive in Lessac.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>What kind of clothes should I bring?<\/span><\/a><\/h4><\/div>
\n

Summers are generally hot in Boisbuchet, but at night the temperature goes down quickly. And occasionally, there are rainy days. In any case, you should bring comfortable working clothes for your workshop. Don\u2019t forget that we do not provide towels.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Where are the closest stores?<\/span><\/a><\/h4><\/div>
\n

Boisbuchet has it\u2019s own little shop at\u00a0the Mill<\/a>, with snacks and souvenirs. There is a kiosk and a post office in Lessac (3km away), and the closest pharmacy is in Confolens (10km away).<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Do I need to bring a health insurance?<\/span><\/a><\/h4><\/div>
\n

Yes. If you are a EU citizen, you just have to bring your European Health Insurance Card, which is provided for free by your national health service. If you are coming from outside the EU, you should purchase a health insurance policy covering the duration of your trip to France.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Are there any means of transportation?<\/span><\/a><\/h4><\/div>
\n

There is no public transportation between Boisbuchet and other surrounding towns. If you need, you can always book a taxi\u00a0here<\/a>. Or rent a bike.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Can you cater for vegan or any other special diets or regimes?<\/span><\/a><\/h4><\/div>
Absolutely. Fill in the required information during the online booking, and we will make sure to take it into account upon your arrival. If you have any specific question, you can always email us at info@boisbuchet.org<\/a>.<\/div><\/div><\/div>

<\/i><\/i><\/span>Is there Wi-Fi at Boisbuchet?<\/span><\/a><\/h4><\/div>
\n

Yes, there is a public network that covers most public areas.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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\"T\u00e9moignage<\/div>
\n

Boisbuchet is a kind of utopian community, where knowledge and relationships wonder together among these surprising buildings.<\/p>\n<\/div><\/div><\/blockquote>

Renato Hofer<\/strong>, Creative Director from S\u00e3o Paulo<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
\n

For me, it was an unexpected experience, full of extraordinary people, a peaceful environment and so many warm smiles.<\/p>\n<\/div><\/div><\/blockquote>

Pavlina Malinova<\/strong>, Architect from Milan<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
\n

It is a place to make, think, and also to stop thinking.<\/p>\n<\/div><\/div><\/blockquote>

Krist\u00edna \u0160ipulov\u00e1<\/strong>, Academy of Fine Arts & Design in Oslo<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
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I felt at home because everyone treated me like family.<\/p>\n<\/div><\/div><\/blockquote>

Carlo del Mazo<\/strong>, Student at the Art Academy of Latvia in Riga<\/span><\/span><\/div><\/div><\/div><\/div>
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PARTNERS 2026<\/p>\n<\/div>

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<\/div><\/div><\/div><\/div><\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":707,"featured_media":21773,"parent":1767,"menu_order":2023,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-21758","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nSaison 2025 - Sph\u00e8res Priv\u00e9es \/ Publiques | Domaine de Boisbuchet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.boisbuchet.org\/workshops\/2025-season-private-public-spheres\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Saison 2025 - Sph\u00e8res Priv\u00e9es \/ Publiques | Domaine de Boisbuchet\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.boisbuchet.org\/workshops\/2025-season-private-public-spheres\/\" \/>\n<meta property=\"og:site_name\" content=\"Domaine de Boisbuchet\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/boisbuchet\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-21T07:12:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.boisbuchet.org\/wp-content\/uploads\/2025\/02\/2025-B-Thumbnail-Workshops-Boisbuchet.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@boisbuchet\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.boisbuchet.org\/workshops\/2025-season-private-public-spheres\/\",\"url\":\"https:\/\/www.boisbuchet.org\/workshops\/2025-season-private-public-spheres\/\",\"name\":\"Saison 2025 - 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