{"id":22851,"date":"2025-07-25T20:18:28","date_gmt":"2025-07-25T18:18:28","guid":{"rendered":"https:\/\/www.boisbuchet.org\/expositions\/les-arbres-sacres-de-linde\/"},"modified":"2025-07-25T20:18:31","modified_gmt":"2025-07-25T18:18:31","slug":"les-arbres-sacres-de-linde","status":"publish","type":"page","link":"https:\/\/www.boisbuchet.org\/fr\/expositions\/les-arbres-sacres-de-linde\/","title":{"rendered":"Les arbres sacr\u00e9s de l’Inde"},"content":{"rendered":"

EXPOSITION D’\u00c9T\u00c9<\/h3><\/div>
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LES ARBRES SACR\u00c9S DE L’INDE<\/h1><\/span>
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DOMAINE DE BOISBUCHET<\/h6><\/div><\/div><\/div><\/div><\/div>

Photographies de Deidi von Schaewen, Paris, avec des installations du Design Village, New Delhi<\/em><\/p>\n<\/div>

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Photographe et cin\u00e9aste bas\u00e9e \u00e0 Paris, Deidi von Schaewen travaille g\u00e9n\u00e9ralement pendant plusieurs ann\u00e9es sur des s\u00e9ries de motifs \u00e0 partir desquels elle d\u00e9veloppe “des typologies inattendues qui r\u00e9v\u00e8lent la cr\u00e9ativit\u00e9 illimit\u00e9e des hommes “*. Plusieurs de ces s\u00e9ries ont \u00e9t\u00e9 et sont toujours r\u00e9alis\u00e9es en Inde, pays qu’elle parcourt depuis plus de trente ans, fascin\u00e9e par la vie quotidienne dans les campagnes et les villes : Cabanes dans les bidonvilles de Bombay, peintures murales des femmes de Hazaribagh, int\u00e9rieurs de nobles maisons et, surtout, lieux de culte d\u00e9di\u00e9s aux dieux de la nature : bosquets et arbres sacr\u00e9s.<\/p>\n<\/div>

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Les arbres sacr\u00e9s de l’Inde sont largement r\u00e9pandus dans le sous-continent et appartiennent \u00e0 diff\u00e9rentes cultures et religions, en particulier \u00e0 l’hindouisme, au bouddhisme et aux conceptions animistes des peuples indig\u00e8nes, qui leur attribuent chacun leur propre signification. Les sites se trouvent dans les endroits les plus divers, mais \u00e0 peine explor\u00e9s ou m\u00eame cartographi\u00e9s, ils sont difficiles \u00e0 trouver pour celui qui les cherche.<\/p>\n

Les archives de la photographe comprennent aujourd’hui pr\u00e8s de 1000 photos d’arbres qui t\u00e9moignent d’un art populaire toujours vivant et tr\u00e8s imaginatif. Il s’agit de portraits de situations dans lesquelles le lieu et le culte ainsi que l’homme et la plante forment un lien intime : de v\u00e9ritables installations artistiques ou environnements n\u00e9s du processus de cr\u00e9ation collective des croyants avec l’arbre, de rituels avec des d\u00e9corations et des objets de d\u00e9votion color\u00e9s et, enfin et surtout, de la force d’expression plastique des arbres eux-m\u00eames.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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Les cultures europ\u00e9ennes connaissent \u00e9galement la d\u00e9coration rituelle des arbres, comme le sapin de No\u00ebl ou l’arbre de mai, qui remonte \u00e0 des cultes bien plus anciens, pr\u00e9chr\u00e9tiens, des Celtes et des Germains. Eux aussi v\u00e9n\u00e9raient des arbres et des bosquets particuliers comme des \u00eatres et des lieux sacr\u00e9s, o\u00f9 l’on c\u00e9l\u00e9brait ce respect fondamental de la nature qui est \u00e0 la base de toute culture.<\/p>\n

Les trente-cinq photos, pour la plupart de grand format, pr\u00e9sent\u00e9es dans cette exposition au ch\u00e2teau de Boisbuchet, sont accompagn\u00e9es de deux installations r\u00e9alis\u00e9es sp\u00e9cialement pour l’occasion par des \u00e9tudiants du Design Village de New Delhi : des objets de la vie quotidienne indienne sous les arbres. Enfin, deux films r\u00e9alis\u00e9s par Deidi von Schaewen sur la c\u00e9r\u00e9monie rituelle c\u00e9l\u00e9br\u00e9e tous les douze ans en l’honneur de l’ermite forestier Bahubali \u00e0 Shranavabelgola, dans l’\u00c9tat du Karnataka, cl\u00f4turent l’exposition.<\/p>\n

Les “arbres sacr\u00e9s de l’Inde” sont au centre d’une s\u00e9rie d’\u00e9v\u00e9nements organis\u00e9s cette ann\u00e9e en l’honneur des arbres et des for\u00eats. Le nom “Boisbuchet”, que certains interpr\u00e8tent comme un b\u00fbcher pour br\u00fbler les sorci\u00e8res, mais que d’autres traduisent simplement par “for\u00eat de broussailles”, justifie \u00e0 lui seul le th\u00e8me. Mais la raison en est la for\u00eat en tant que telle, omnipr\u00e9sente \u00e0 Boisbuchet comme source d’\u00e9nergie et de mat\u00e9riaux pour le travail, comme source d’inspiration pour des exp\u00e9riences cr\u00e9atives et comme lieu de repos, et m\u00eame dans un cimeti\u00e8re forestier cach\u00e9.<\/p>\n<\/div>

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