{"id":24604,"date":"2026-03-05T15:03:20","date_gmt":"2026-03-05T14:03:20","guid":{"rendered":"https:\/\/www.boisbuchet.org\/?page_id=24604"},"modified":"2026-03-05T15:03:20","modified_gmt":"2026-03-05T14:03:20","slug":"saison-2026-matiere-vivante","status":"publish","type":"page","link":"https:\/\/www.boisbuchet.org\/fr\/ateliers\/saison-2026-matiere-vivante\/","title":{"rendered":"Saison 2026 – Mati\u00e8re vivante"},"content":{"rendered":"

ATELIERS D’\u00c9T\u00c9 2026<\/h3><\/div>
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MATI\u00c8RE VIVANTE<\/h1><\/span>
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5 JUILLET \u2013 5 SEPTEMBRE<\/h6><\/div>
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La perte de diversit\u00e9 s\u2019accompagne d\u2019un sentiment croissant de similarit\u00e9 qui uniformise nos vies. Les formes, les espaces et les mani\u00e8res de vivre deviennent tellement standardis\u00e9s que les objets et les images semblent identiques, m\u00eame dans des environnements compl\u00e8tement diff\u00e9rents sur Terre.<\/p>\n

Dans un monde de plus en plus gouvern\u00e9 par des algorithmes, des syst\u00e8mes qui filtrent, pr\u00e9disent et organisent notre exp\u00e9rience, m\u00eame les pratiques de design commencent \u00e0 refl\u00e9ter et \u00e0 apprendre de cette logique, influencer nos peurs et nos d\u00e9sirs, guider notre perception de la r\u00e9alit\u00e9 et r\u00e9gir l\u2019attention et le temps de chacun.<\/p>\n

En 2026, Boisbuchet explore des designs qui cultivent une intelligence alternative : une intelligence ancr\u00e9e dans l\u2019exp\u00e9rience sensorielle, la marche dans le paysage et l\u2019acte de fabriquer, une approche qui embrasse l\u2019incertitude et cherche \u00e0 retrouver nos instincts pour une complexit\u00e9 qui d\u00e9passe toute mesure ou contr\u00f4le.<\/p>\n

\u00bb Ce qui est inclus dans le prix<\/a>
\u00bb Informations pratiques<\/a><\/p>\n<\/div><\/div><\/div>

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Audrey Large (FR) + Th\u00e9ophile Blandet (FR)<\/strong><\/h5>\n

Liquid Dreams<\/h4>\n

5 juillet –\u00a011 juillet<\/h5>\n
From \u20ac990<\/h5>\n
Moulage, M\u00e9tallurgie, Num\u00e9rique<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Espace Aygo (BE)<\/strong><\/h5>\n

Cadavre Exquis: How Things Stay Together<\/h4>\n

5 juillet –\u00a011 juillet<\/h5>\n
From \u20ac990<\/h5>\n
Expression de soi, Installation, Int\u00e9rieur<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Lucas Mu\u00f1oz Mu\u00f1oz (ES)<\/strong><\/h5>\n

No Specific Plans<\/h4>\n

5 juillet –\u00a011 juillet<\/h5>\n
From \u20ac990<\/h5>\n
Contextuel, Low-tech, Produits<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Sofia Alazraki (AR)<\/strong><\/h5>\n

XXX: Still Life and Fantasy<\/h4>\n

12 juillet –\u00a018 juillet<\/h5>\n
From \u20ac990<\/h5>\n
Direction Artistique, Media, Mise en Sc\u00e8ne<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Jean-Baptiste Durand (FR)<\/strong><\/h5>\n

Year 2300: Post-Fossil Futures<\/h4>\n

12 juillet –\u00a018 juillet<\/h5>\n
From \u20ac990<\/h5>\n
Artefacts, Futurs, Low-tech<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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2050+ (IT)<\/strong><\/h5>\n

Scrap-Kammer: A Cabinet of Curiosities<\/h4>\n

12 juillet –\u00a018 juillet<\/h5>\n
From \u20ac990<\/h5>\n
Mat\u00e9riaux, Recherche, R\u00e9utilisation<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Miriam Josi et Stella Lee Prowse (Al\u00e9a) (FR)<\/strong><\/h5>\n

Color Experiments with Fungi<\/h4>\n

19 juillet –\u00a029 juillet<\/h5>\n
From \u20ac1341<\/h5>\n
Biodesign, Couleur, Myc\u00e9lium<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Salvador Gomis (ES) + Wesam Al Asali (SY)<\/strong><\/h5>\n

Tile Vaulting: The Art of Structural Ceramic<\/h4>\n

19 juillet –\u00a026 juillet<\/h5>\n
From \u20ac1150<\/h5>\n
Architecture, Technologie, Vernaculaire<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Xavier Ma\u00f1osa (ES)<\/strong><\/h5>\n

Clay Grounds<\/h4>\n

19 juillet –\u00a029 juillet<\/h5>\n
From \u20ac1341<\/h5>\n
Artisanat, C\u00e9ramique, Exp\u00e9rimentation<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Frida Kim (KR) + Wagner Kreusch (BR)<\/strong><\/h5>\n

Embodied Nature<\/h4>\n

2 ao\u00fbt –\u00a08 ao\u00fbt<\/h5>\n
From \u20ac1150<\/h5>\n
Fleurs, Installation, Paysage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Philippe Rahm (CH)<\/strong><\/h5>\n

A Dilated House<\/h4>\n

2 ao\u00fbt –\u00a08 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Architecture, Technologie, \u00c9nergie<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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we+ (JP)<\/strong><\/h5>\n

Ancestral Alchemy: Re-binding the Forest<\/h4>\n

2 ao\u00fbt –\u00a08 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Biopolym\u00e8res, Processus Design, Produits<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Rein Reitsma (NL)<\/strong><\/h5>\n

Wild Stitching: Coils, Ropes and Radical Forms<\/h4>\n

9 ao\u00fbt –\u00a015 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Fibres, Textile, Tissage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Patrick Thomas (GB)<\/strong><\/h5>\n

Low-Tech Editions: Field Notes<\/h4>\n

9 ao\u00fbt –\u00a015 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Communication, Graphique, Impression<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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The Gramounce (Barney Pau and Hannah Morgan) (GB)<\/strong><\/h5>\n

Edible Memories: Foraging, Food and Photography<\/h4>\n

9 ao\u00fbt –\u00a015 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Aliments, Butinage, Fermentation<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Jonas Lutz (FI)<\/strong><\/h5>\n

Block by Block<\/h4>\n

16 ao\u00fbt –\u00a022 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Bois, Impression, Menuiserie<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Lex Pott (NL)<\/strong><\/h5>\n

Building Your Micro Design Studio<\/h4>\n

16 ao\u00fbt –\u00a022 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Mat\u00e9riaux, Processus Design, Produits<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Johanna Seelemann (DE)<\/strong><\/h5>\n

Objects for 72 Seasons<\/h4>\n

23 ao\u00fbt –\u00a029 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Durabilit\u00e9, Nature, \u00c9cosyst\u00e8mes<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Martin Planchaud (FR)<\/strong><\/h5>\n

Summer Cuisine<\/h4>\n

23 ao\u00fbt –\u00a029 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Aliments, Exp\u00e9rience, Plein Air<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Aline Houd\u00e9-Diebolt (FR)<\/strong><\/h5>\n

Le Papier Monumental<\/h4>\n

23 ao\u00fbt –\u00a029 ao\u00fbt<\/h5>\n
From \u20ac990<\/h5>\n
Couleur, Mise en Sc\u00e8ne, Papier<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Maria Walter Nielsen (DK) + Marco Sammicheli (IT)<\/strong><\/h5>\n

L\u2019Ambassade. Curating Design Diplomacy<\/h4>\n

30 ao\u00fbt –\u00a05 septembre<\/h5>\n
From \u20ac990<\/h5>\n
Curating, Exposition, Social Design<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Emma Bruschi (FR)<\/strong><\/h5>\n

Wearing Landscape<\/h4>\n

30 ao\u00fbt –\u00a05 septembre<\/h5>\n
From \u20ac990<\/h5>\n
Artisanat, Fibres, Mode<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Marjan van Aubel (NL)<\/strong><\/h5>\n

The Solar Academy: Something New Under the Sun<\/h4>\n

30 ao\u00fbt –\u00a05 septembre<\/h5>\n
From \u20ac990<\/h5>\n
Produits, Solaire, \u00c9nergie<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\n\t\n\t\n\t\n<\/div>\n\n<\/div>
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For over 30 years, the non-profit organisation CIRECA (Centre International de Recherche et d\u2019Education Culturelle et Agricole), organises Boisbuchet\u2019s interdisciplinary program of hands-on workshops: Participants from all over the world living and working together with noted designers, architects and artists \u2013 not to come up with perfect results but to gain insights into creative processes and the challenges involved.<\/p>\n<\/div>

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FAQ<\/h2><\/div>

<\/i><\/i><\/span>Do I need to be a designer or architect to attend a workshop?<\/span><\/a><\/h4><\/div>
\n

No, in Boisbuchet we believe in collaboration, which is why everyone is invited to participate in the workshops. Because diversity is an essential part of our philosophy, we don\u2019t select participants: No diplomas or qualifications required, except for speaking English.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>How can I get to Boisbuchet?<\/span><\/a><\/h4><\/div>
\n

We organize a shuttle bus every Sunday at 5pm, from the Poitiers train station to Boisbuchet. Our staff will be at the train station to escort you to the bus. The shuttle leaves back on Saturday morning around 10am and drops you off at the Poitiers train station no later than 1pm. If you are driving your own car, the address is: Domaine de Boisbuchet, 16500 Lessac. Signs will guide you to the Domaine as soon as you arrive in Lessac.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>What kind of clothes should I bring?<\/span><\/a><\/h4><\/div>
\n

Summers are generally hot in Boisbuchet, but at night the temperature goes down quickly. And occasionally, there are rainy days. In any case, you should bring comfortable working clothes for your workshop. Don\u2019t forget that we do not provide towels.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Where are the closest stores?<\/span><\/a><\/h4><\/div>
\n

Boisbuchet has it\u2019s own little shop at\u00a0the Mill<\/a>, with snacks and souvenirs. There is a kiosk and a post office in Lessac (3km away), and the closest pharmacy is in Confolens (10km away).<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Do I need to bring a health insurance?<\/span><\/a><\/h4><\/div>
\n

Yes. If you are a EU citizen, you just have to bring your European Health Insurance Card, which is provided for free by your national health service. If you are coming from outside the EU, you should purchase a health insurance policy covering the duration of your trip to France.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Are there any means of transportation?<\/span><\/a><\/h4><\/div>
\n

There is no public transportation between Boisbuchet and other surrounding towns. If you need, you can always book a taxi\u00a0here<\/a>. Or rent a bike.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Can you cater for vegan or any other special diets or regimes?<\/span><\/a><\/h4><\/div>
Absolutely. Fill in the required information during the online booking, and we will make sure to take it into account upon your arrival. If you have any specific question, you can always email us at info@boisbuchet.org<\/a>.<\/div><\/div><\/div>

<\/i><\/i><\/span>Is there Wi-Fi at Boisbuchet?<\/span><\/a><\/h4><\/div>
\n

Yes, there is a public network that covers most public areas.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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\"T\u00e9moignage<\/div>
\n

Boisbuchet is a kind of utopian community, where knowledge and relationships wonder together among these surprising buildings.<\/p>\n<\/div><\/div><\/blockquote>

Renato Hofer<\/strong>, Creative Director from S\u00e3o Paulo<\/span><\/span><\/div><\/div><\/div><\/div>
<\/div>
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\"T\u00e9moignage<\/div>
\n

For me, it was an unexpected experience, full of extraordinary people, a peaceful environment and so many warm smiles.<\/p>\n<\/div><\/div><\/blockquote>

Pavlina Malinova<\/strong>, Architect from Milan<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
\n

It is a place to make, think, and also to stop thinking.<\/p>\n<\/div><\/div><\/blockquote>

Krist\u00edna \u0160ipulov\u00e1<\/strong>, Academy of Fine Arts & Design in Oslo<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
\n

I felt at home because everyone treated me like family.<\/p>\n<\/div><\/div><\/blockquote>

Carlo del Mazo<\/strong>, Student at the Art Academy of Latvia in Riga<\/span><\/span><\/div><\/div><\/div><\/div>
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PARTNERS 2026<\/p>\n<\/div>

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