{"id":3615,"date":"2019-02-20T18:55:39","date_gmt":"2019-02-20T17:55:39","guid":{"rendered":"https:\/\/www.boisbuchet.org\/staging\/ateliers\/2016-saison-origine-et-traduction\/"},"modified":"2019-02-22T19:45:09","modified_gmt":"2019-02-22T18:45:09","slug":"2016-saison-origine-et-traduction","status":"publish","type":"page","link":"https:\/\/www.boisbuchet.org\/fr\/ateliers\/2016-saison-origine-et-traduction\/","title":{"rendered":"2016 Saison – Origine et traduction"},"content":{"rendered":"

ATELIERS D’\u00c9T\u00c9 2016<\/h3><\/div>
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ORIGINE ET TRADUCTION<\/h1><\/span>
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26 JUNE – 3 SEPT<\/h6><\/div>
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Nous vivons dans une culture de la mondialisation qui met au d\u00e9fi la tol\u00e9rance, la compr\u00e9hension et l\u2019apprentissage. C’est pourquoi la 26e \u00e9dition de nos ateliers met l’accent sur \u00abORIGINE ET TRADUCTION\u00bb et met la cr\u00e9ativit\u00e9 \u00e0 l’\u00e9preuve: quels sont les mod\u00e8les, ce qui est authentique et original et comment les projets sont influenc\u00e9s par la reproduction ou l’imitation, l’interpr\u00e9tation et la traduction du existant.<\/p>\n<\/div>

Ateliers 2019<\/span><\/i><\/a><\/div><\/div><\/div>
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\"\"\n
No\u00e9 Duchaufour-Lawrance (FR)<\/strong><\/h5>\n

Natural Creation<\/h4>\n

26 juin –\u00a02 juillet<\/h5>\n
Produit<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Henrik Vibskov (DK)<\/strong><\/h5>\n

Surprise Mistakes<\/h4>\n

26 juin –\u00a02 juillet<\/h5>\n
Installation, Mode, Performance<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Faye Toogood (GB)<\/strong><\/h5>\n

Soft Goods<\/h4>\n

3 juillet –\u00a09 juillet<\/h5>\n
Installation, Meubles, Sculpture<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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mischer’traxler (AT)<\/strong><\/h5>\n

Designing an encyclopedia of unique objects<\/h4>\n

3 juillet –\u00a09 juillet<\/h5>\n
Installation, Processus, Produit<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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SelgasCano (ES)<\/strong><\/h5>\n

BreakDown<\/h4>\n

3 juillet –\u00a09 juillet<\/h5>\n
Architecture<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Nigel Peake (IE) <\/h5>\n

Window \/ Visitor<\/h4>\n

10 juillet –\u00a016 juillet<\/h5>\n
Dessin, Illustration<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Keiji Ashizawa (JP)<\/strong><\/h5>\n

Landscape \u2013 Furniture<\/h4>\n

10 juillet –\u00a016 juillet<\/h5>\n
Architecture, Meubles<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Fred Herbst (US) + Tomoko Azumi (JP) + CMoG (US) <\/h5>\n

Formed by you, refined by fire<\/h4>\n

10 juillet –\u00a020 juillet<\/h5>\n
C\u00e9ramique, Glass, Objet<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Bart Hess (NL)<\/strong><\/h5>\n

Mating Dance<\/h4>\n

17 juillet –\u00a023 juillet<\/h5>\n
Mat\u00e9riaux, Mode, Zoologie<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Pierre Favresse (FR)<\/strong><\/h5>\n

The Original Chair<\/h4>\n

17 juillet –\u00a023 juillet<\/h5>\n
Meubles<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Andrew Ondrejcak (US)<\/strong><\/h5>\n

Performance + Design<\/h4>\n

24 juillet –\u00a030 juillet<\/h5>\n
Chor\u00e9graphie, Performance<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Jaime Hay\u00f3n (ES) + CMoG (US) <\/h5>\n

Candy Glass Shop<\/h4>\n

24 juillet –\u00a030 juillet<\/h5>\n
Glass, Produit<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Rona Meyuchas (IL) <\/h5>\n

Illuminating the Woods<\/h4>\n

31 juillet –\u00a06 ao\u00fbt<\/h5>\n
Environnement, \u00c9clairage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Wonmin Park (KR)<\/strong><\/h5>\n

Unusual Tools<\/h4>\n

31 juillet –\u00a06 ao\u00fbt<\/h5>\n
Produit<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Francesca Sarti (IT)<\/strong><\/h5>\n

Hungry Copy<\/h4>\n

31 juillet –\u00a06 ao\u00fbt<\/h5>\n
Aliments, Conception<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Numen\/For Use (AT)<\/strong><\/h5>\n

Making Flying Spaces<\/h4>\n

7 ao\u00fbt –\u00a013 ao\u00fbt<\/h5>\n
Installation, Mat\u00e9riaux, Processus<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Charlie Le Mindu (FR) + St\u00e9phane Margolis (FR)<\/strong><\/h5>\n

Surnatural<\/h4>\n

7 ao\u00fbt –\u00a013 ao\u00fbt<\/h5>\n
Cheveux, Costume, Ikebana<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Karola Dierichs (DE) + Achim Menges (DE)<\/strong><\/h5>\n

Hygroscopic Aggregate Structure<\/h4>\n

14 ao\u00fbt –\u00a020 ao\u00fbt<\/h5>\n
Architecture, Computational Design<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Muller Van Severen (BE)<\/strong><\/h5>\n

Furniture that transforms space<\/h4>\n

14 ao\u00fbt –\u00a020 ao\u00fbt<\/h5>\n
Conception, Meubles<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Franziska Kessler (CH)<\/strong><\/h5>\n

Finding Form<\/h4>\n

21 ao\u00fbt –\u00a027 ao\u00fbt<\/h5>\n
Conception, Yoga<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Moritz Waldemeyer (DE)<\/strong><\/h5>\n

Moving Light<\/h4>\n

21 ao\u00fbt –\u00a027 ao\u00fbt<\/h5>\n
Mat\u00e9riaux, \u00c9clairage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t
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Timur Ersen (FR) <\/h5>\n

Layer by Layer – Building with Erosion<\/h4>\n

28 ao\u00fbt –\u00a03 septembre<\/h5>\n
Adobe, Architecture<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Stuart Haygarth (GB)<\/strong><\/h5>\n

Turn the Dark Off<\/h4>\n

28 ao\u00fbt –\u00a03 septembre<\/h5>\n
Mat\u00e9riaux, \u00c9clairage<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t\n\t\t\n\t\t\t
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Cecilia Andersson (SE) + Mathias Schwartz-Clauss (DE)<\/strong><\/h5>\n

So far my idea<\/h4>\n

28 ao\u00fbt –\u00a03 septembre<\/h5>\n
Non Class\u00e9<\/h6><\/a>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\n\t\n\t\n\t\n<\/div>\n\n<\/div>
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For over 30 years, the non-profit organisation CIRECA (Centre International de Recherche et d\u2019Education Culturelle et Agricole), organises Boisbuchet\u2019s interdisciplinary program of hands-on workshops: Participants from all over the world living and working together with noted designers, architects and artists \u2013 not to come up with perfect results but to gain insights into creative processes and the challenges involved.<\/p>\n<\/div>

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FAQ<\/h2><\/div>

<\/i><\/i><\/span>Do I need to be a designer or architect to attend a workshop?<\/span><\/a><\/h4><\/div>
\n

No, in Boisbuchet we believe in collaboration, which is why everyone is invited to participate in the workshops. Because diversity is an essential part of our philosophy, we don\u2019t select participants: No diplomas or qualifications required, except for speaking English.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>How can I get to Boisbuchet?<\/span><\/a><\/h4><\/div>
\n

We organize a shuttle bus every Sunday at 5pm, from the Poitiers train station to Boisbuchet. Our staff will be at the train station to escort you to the bus. The shuttle leaves back on Saturday morning around 10am and drops you off at the Poitiers train station no later than 1pm. If you are driving your own car, the address is: Domaine de Boisbuchet, 16500 Lessac. Signs will guide you to the Domaine as soon as you arrive in Lessac.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>What kind of clothes should I bring?<\/span><\/a><\/h4><\/div>
\n

Summers are generally hot in Boisbuchet, but at night the temperature goes down quickly. And occasionally, there are rainy days. In any case, you should bring comfortable working clothes for your workshop. Don\u2019t forget that we do not provide towels.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Where are the closest stores?<\/span><\/a><\/h4><\/div>
\n

Boisbuchet has it\u2019s own little shop at\u00a0the Mill<\/a>, with snacks and souvenirs. There is a kiosk and a post office in Lessac (3km away), and the closest pharmacy is in Confolens (10km away).<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Do I need to bring a health insurance?<\/span><\/a><\/h4><\/div>
\n

Yes. If you are a EU citizen, you just have to bring your European Health Insurance Card, which is provided for free by your national health service. If you are coming from outside the EU, you should purchase a health insurance policy covering the duration of your trip to France.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Are there any means of transportation?<\/span><\/a><\/h4><\/div>
\n

There is no public transportation between Boisbuchet and other surrounding towns. If you need, you can always book a taxi\u00a0here<\/a>. Or rent a bike.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Can you cater for vegan or any other special diets or regimes?<\/span><\/a><\/h4><\/div>
Absolutely. Fill in the required information during the online booking, and we will make sure to take it into account upon your arrival. If you have any specific question, you can always email us at info@boisbuchet.org<\/a>.<\/div><\/div><\/div>

<\/i><\/i><\/span>Is there Wi-Fi at Boisbuchet?<\/span><\/a><\/h4><\/div>
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Yes, there is a public network that covers most public areas.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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\"T\u00e9moignage<\/div>
\n

Boisbuchet is a kind of utopian community, where knowledge and relationships wonder together among these surprising buildings.<\/p>\n<\/div><\/div><\/blockquote>

Renato Hofer<\/strong>, Creative Director from S\u00e3o Paulo<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
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For me, it was an unexpected experience, full of extraordinary people, a peaceful environment and so many warm smiles.<\/p>\n<\/div><\/div><\/blockquote>

Pavlina Malinova<\/strong>, Architect from Milan<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
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It is a place to make, think, and also to stop thinking.<\/p>\n<\/div><\/div><\/blockquote>

Krist\u00edna \u0160ipulov\u00e1<\/strong>, Academy of Fine Arts & Design in Oslo<\/span><\/span><\/div><\/div><\/div><\/div>
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\"T\u00e9moignage<\/div>
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I felt at home because everyone treated me like family.<\/p>\n<\/div><\/div><\/blockquote>

Carlo del Mazo<\/strong>, Student at the Art Academy of Latvia in Riga<\/span><\/span><\/div><\/div><\/div><\/div>
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PARTNERS 2026<\/p>\n<\/div>

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