Jean-Baptiste Durand (FR)
Year 2300: Post-Fossil Futures
12 juillet – 18 juillet 2026
Jean-Baptiste Durand France
Jean-Baptiste Durand est un designer basé à Paris. Dans son travail personnel, il explore les interactions entre architecture, scénographie, mobilier et objets non utilitaires.
S’appuyant sur un large éventail de langages techniques, allant de l’artisanat ancestral aux technologies contemporaines, il pratique une forme de forme de prélèvement et d’assemblage, créant des compositions qui évoquent ces différents univers. Sa pratique cherche à dépasser les distinctions conventionnelles entre designer et artiste, laissant l’intuition et l’inspiration du moment guider son travail.
Cette ouverture se reflète dans son refus d’être enfermé dans un style ou une typologie d’objets particulière, ainsi que dans son désir d’explorer les vastes possibilités de l’expression créative. Après une première période en solo marquée par plusieurs reconnaissances, dont le Rado Star Prize, Durand a mis sa pratique en pause. Il est réapparu lors de la Design Week 2023 avec une approche renouvelée, caractérisée par une certaine sérénité, paradoxalement soutenue par le désir de rester naïf et ouvert.
www.jeanbaptistedurand.com
L’atelier
Year 2300. Fossil fuels are no longer available. Our world once showed increasing signs of strain. Climate disruption, political instability, conflicts and resource depletion raised questions about the material future of our societies. Mass production has also declined. Global supply chains have faded, and objects are produced locally, using the materials and knowledge at hand. In this world, everyday artefacts belong to a transformed and more frugal society. What do they look like? How do they function? What forms and materials define the objects of a post-fossil future?
During this workshop, participants will imagine objects emerging from this narrative. Together we will explore the functions, forms and material compositions of speculative objects that could inhabit this world. These may act as witnesses to a possible future—traces of a society that has learned to live with fewer resources. Will new functions emerge? Will new forms arise out of necessity, or from deliberate choices?
While visions of the future often appear dark or anxious, this workshop also invites participants to imagine objects that bring optimism within a constrained context. Can objects provide comfort, resilience or even joy? Does a more frugal world necessarily imply a poorer one? What kinds of artefacts might help shape a different relationship with resources and production?
After a period of reflection and design, participants will explore the facilities of Boisbuchet and its surrounding landscape to collect materials and assemble low-tech systems for making. Remnants of electronic objects will also be available as a starting point for experimentation. Through these explorations, participants may begin to glimpse a possible aesthetic of the future—becoming, in a sense, archaeologists of anticipation, shaping a world to come, whether imagined as fragile, resilient, or unexpectedly joyful.





