In this ten-day workshop, Xavier Mañosa guides participants in the making of ceramic objects that explore surface, balance, and the possibilities of the horizontal plane. Participants will design pieces conceived as open surfaces—objects that hold, support or frame what is placed upon them. Objects such as trays, plates or vessels serve only as points of departure, opening the possibility to explore a broader family of ceramic elements that sit close to the ground or the table.

Throughout the workshop, participants will experiment with clay bodies, additives and surface treatments. Particular attention will be given to the behaviour of clay when mixed with fibres or other materials that allow lighter structures and more complex forms. These experiments will also extend to glazes and finishes, expanding the range of textures and visual qualities. Through iterative making and testing, participants will explore how small adjustments in form, composition and surface can transform the function and perception of ceramic objects.

The workshop will culminate in the firing of the pieces in the wood-fired kiln at Boisbuchet, which is inspired by Korean and Japanese traditions. Unlike electric or gas kilns, wood firing introduces a changing relationship between flame, ash, and clay. Participants will take part in the entire process: preparing the kiln, loading the pieces, and maintaining the fire through successive wood feedings. Variations in temperature and atmosphere leave visible traces on the surface of the ceramics, and each firing produces different results.