Jonas Lutz (FI)
Block by Block
August 16th – August 22nd 2026
Jonas Lutz Finland
Finnish-born designer Jonas Lutz creates objects of bold simplicity and elegant solutions, often with a tacit playfulness. His work instantly reveals a continuous search for the novel and undiscovered. Simplicity of form is well balanced with a gentleness that invites the touch and a modesty which speaks of a deep comprehension of materials and a desire to elevate their qualities.
Jonas finds inspiration in Nordic furniture traditions as well as in the lively design culture of his adopted country of the Netherlands. Fueled by an upbringing in a creative milieu his instinct and sensibility in the work with materials intimates that of a sculptor’s act. This act is much replicated in the way he gives himself design briefs triggering investigations of materials and concepts, often inspired by objects of use in his home.
Jonas studied at the Carl Malmsten furniture school in Stockholm, Sweden, and has a bachelor in design from the Design Academy in Eindhoven, the Netherlands. His studio is based in Rotterdam, the Netherlands.
www.jonaslutz.com
The Workshop
This workshop explores the intersection of woodworking, printmaking, and sculptural design through the technique of carved wood blocks. Participants will develop their own “alphabet” of wooden forms — shapes that operate simultaneously as objects, structural components, and printing matrices.
Throughout the week, each participant will design and carve a series of blocks that can function as modular elements for small furniture pieces or sculptural constructions. Attention will be given to proportion, repetition, joinery logic, and the relationship between solid and void. The carved elements will not only stand as three-dimensional forms, but also serve as tools for creating prints on paper and canvas, translating volume into graphic composition.
The workshop moves fluidly between object and surface-making. By creating wooden forms to build and to print, participants will test how structure, rhythm, and texture operate across dimensions. The carved grain, tool marks, and relief patterns become both tactile qualities and visual language. Alongside individual work, the group will collaborate on a large-scale canvas, combining their carved blocks into a collective printed composition.
Skills addressed during the week include wood shaping and carving, tool handling, development of a personal formal language, color application on wood surfaces, and printing techniques.





