This workshop explores the shift from individuality to collectivity through the lens of Cadavre Exquis. Originally a Surrealist drawing game based on shared authorship and partial information, the method is translated here into spatial and material experimentation. Participants reflect on how ideas emerge in dialogue with others, and how authorship, control, and ego transform within collaborative processes.

Through a series of collective exercises, individual self-expression is gradually translated into three-dimensional propositions. The workshop addresses themes such as domestic rituals, shared living, material storytelling, and the role of the individual within a collective framework. Making becomes a way of thinking together, where reaction, misinterpretation, and negotiation shape the outcome.

The main assignment consists of developing a room as part of a dissected modular house. Each participant creates a personal spatial microcosm, informed by their own experiences and ideas of domesticity. Although conceived independently, the rooms are ultimately assembled into a single building. Corridors connect the modules, functioning both architecturally and metaphorically, linking distinct identities into a collective whole.